Alexei ratmansky biography of williams funeral home

From to he was the director of the Moscow Bolshoi Ballet. Ratmansky's choreographic career first became notable with his staging of the ballet Dreams of Japan for the State Ballet of Georgia in Dreams and Charms of Mannerism , choreographed in , were both created for Nina Ananiashvili. Ratmansky is noted for restaging traditionally classical ballets for large companies.

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While there he also made a full-length production of The Bolt , in , and re-staged Le Corsaire and the Flames of Paris , in and After his directorship at the Bolshoi, Ratmansky agreed to become the first artist in residence for the American Ballet Theatre in after negotiations with the New York City Ballet failed over the position of resident choreographer.

Its performance in London earned Ratmansky the praise from New York Times reviewer Alastair Macaulay of being "the most gifted choreographer specializing in classical ballet today. In , Ratmansky took his career in a new direction when he reconstructed Marius Petipa's final revival of Paquita from the Sergeyev Collection. He was choreographing a new work at the Bolshoi when Russia invaded Ukraine in ; he immediately left Russia and condemned the invasion.

His parents and in-laws were still in Ukraine in August , and could not leave. In , Ratmansky was named as the MacArthur Fellow of the year, an award that came with "genius grant" for "working in any field, who "show exceptional merit and promise for continued and enhanced creative work".